SOLO EXHIBITIONS
2015 Piscina, Black Box at [MARS], Melbourne
2012 Structure (The Poverty Gully Project), Margaret Lawrence Gallery, VCA, Melbourne
2011 The Missing (with Cate Consandine), Conical Inc., Melbourne
2011 Structures, Columbia Place, Brooklyn, New York
2009 After The Gold Rush (with Marie-Jeanne Hoffner), Melbourne International Arts Festival, Conical Inc.
2009 Measure for Measure, Faculty Gallery, Monash University, Melbourne
2009 Gold Rush (with Marie-Jeanne Hoffner), Espace Art Contemporain, La Rochelle, France
2008 Advance/Retreat (with Mark Richardson) West Space, Melbourne
2004 Experiment for Better Living (No. 4), Newcastle Region Art Gallery, Newcastle
2004 Naked Eye (with Jeanette Becklar), Next Wave, Federation Square, Melbourne
2002 this that here there, Centre for Contemporary Art, Hanoi, Vietnam
2000 Simulacrum, Access Contemporary Art Gallery, Sydney
GROUP EXHIBITIONS
2018 Art From Australia and New Zealand, Turchin Centre For Visual Arts, North Carolina USA (curator: Mary Anne
Redding)
Black Diamond Money, Byron School of Art, Mullumbimby (curator: Michael Cusack)
2017 We’re Closer Thank You Think, ArtState, Lismore Regional Art Gallery, Lismore (curators: Zoe Robinson-Kennedy
and Natalie Bull
2016 The Wandering I, Centre for Contemporary Photography, Melbourne (curator: Cate Consandine)
2014 One Hour Glass, Five Walls Projects, Melbourne (curator: Kieran Boland)
25 Watt, Watt Space Gallery, The University of Newcastle (curator: Penny Finnigan)
Make Believe It’s Nothing, MARS Gallery, Melbourne (curators: Brie Trenerry & Kieran Boland)
2012 Intersections, La Trobe University Gallery, Bendigo (curator: Niomi Sands)
2011 Nevermore, Death Be Kind, Melbourne (curator: Elvis Richardson)
2010 The Monumental Effect, Death Be Kind, Melbourne (curator: Elvis Richardson)
Rapid Slowness, Faculty Gallery Art & Design, Monash University (curator: Kathy Temin)
Trouble Set Me Free, VCA Margaret Lawrence Gallery, Melbourne (curator: Catherine Bell)
2008 Black and White, The University of Newcastle Gallery, Newcastle (curator: Gillean Shaw)
In Praise of Blandness Faculty Gallery, Art & Design, Monash University (curator: Domenico de Clario)
Room, Burnie Regional Art Gallery, Tasmania (curator: Derek Hart)
2007 Room, Contemporary Art Space Tasmania (CAST), Hobart (curator: Derek Hart)
Here + Beyond, Newcastle Region Art Gallery (curator: Lisa Slade)
2006 Interior Design, Alliance Française Melbourne (curator: Marie Jeanne Hoffner)
2005 The Raw and the Cooked, Blindside, Melbourne (curator: Catherine Bell)
How Long is a Short While? Area Gallery, Melbourne (curator: Hannah Bertram)
Colour(less), Lake Macquarie City Art Gallery (curator: Meryl Ryan)
2004 Practice in Process, Counihan Gallery, Melbourne (curator: Phe Rawnsley)
2001 Signal, Fort Scratchly Maritime and Military Museum, Newcastle (curator: Gillean Shaw)
2000 Melbourne Art Fair, Royal Exhibition Centre, Melbourne
Hatched 2000, Perth Institute of Contemporary Art, Perth
Constructing Futures, Newcastle Region Art Gallery (curators: Samantha Littley & Katrina Rumley)
Edge, Nick Mitzevich Gallery, Newcastle (curator: Nick Mitzevich)
A Contemporary Perspective, Muswellbrook Regional Art Gallery, Maitland City Art Gallery, Port Stephens Art Centre (curator: Leslie Tilley)
Sculpture 2000, Access Contemporary Art Gallery, Sydney (curator: Inge King)
1999 7th International Works on Paper Fair, Sydney
Hands Across the Water, Kapiolani College Gallery, Hawaii, USA, Leenard College Gallery, Pearl City Hawaii, USA (curator: Patricia Wilson Adams)
New Sculpture 1999, Access Contemporary Art Gallery, Sydney (curator: Cambell Robinson-Swann)
This Way Up, Object Galleries, Centre for Contemporary Craft, Sydney
SELECTED BIBLIOGRAPHY
The Wandering I/Eye, Luke Morgan, Cate Consandine, Stephen Garret & Brook Andrew, , Melbourne: CCP, 2016
Bureau 2, Laura Castagnini and Vikki McInnes (eds), Melbourne: University of Melbourne, 2014, p. 148-151
Tapping the Heart of Glass, Penny Webb, The Age, June 20, 2014
Poppet-Heads, Platform and a Descent, Luke Morgan (catalogue essay) published VCA, Melbourne Oct 2012
Plans, Marie-Ang Brayer et.al., Paris: Roven, 2011, p. 175-180
The Missing Dan Rule, The Age Sept 24, 2011
Eyeline, No. 72, Julie Cotter “Trouble Set Me Free” p. 91 Sept. 2010.
Rapid Slowness, Kathy Temin (catalogue essay), published Monash University, July 2010 (reproduced)
Garrett Hoffner, Meredith Turnbull, Un 4.1, June 2010 (reproduced)
The Ghoulish Art of Witchcraft, Robert Nelson, The Age, 23 June 2010
Trouble Set Me Free, Ross Moore, (catalogue essay), published VCA&M Melbourne, May 2010 (reproduced)
Melbourne Festival: A Critical Reader, Simon Maidment (ed.) October 2009 p. 48-51 (reproduced)
Gold Rush: Site (re/de) Construction... Anne-Lou Vicente, Paris (catalogue essay) June 2009
Sud Oust (France), “Exposition «Gold Rush» à La Rochelle”, June 2009
Australian Design Review, Issue 55, May 2009, D.J. Huppatz “Breaking The Boundaries” p. 38-41 (reproduced)
Art and Australia Vol.45 No. 1 Spring 2007, Bec Culdon “Room” p. 265
Artlink Vol. 27 No. 3 2007 Sean Kelly, “Room”
Here + Beyond Lisa Slade, (catalogue Essay) published NRAG June 2007 (reproduced)
Room Derek Hart (catalogue Essay) Published CAST May, 2007 (reproduced)
Un Magazine Vol. 7 Nicola Harvey “The Raw and the Cooked” 2006p. 48-51 (reproduced)
Food as Metaphor: The Raw and the Cooked Robert Nelson (catalogue essay) November 2005
Colour(less) Meryl Ryan (catalogue essay) August 2005
Art Monthly Australia Sept. 2002No. 153Tom Parker “Artnotes Asia” exhibition reviewp. 39
Simulacrum Anne Graham (catalogue essay) June 2000
Constructing Futures Samantha Littley(catalogue publication) 2000p.10-11(reproduced)
Object Magazine No. 2Vol. 2000p.101(reproduced)
Monument Magazine No.36 June/July2000p.113 (reproduced)
Sculptors Embrace A Touchy, Feely New Century Bronwyn Watson, Sydney Morning Herald, 8 January 2000
A Contemporary Perspective Zoe Butt(catalogue essay) 2000(reproduced)
Pottery in Australia Vol.38 No.3 Jan Downes “Brooching the Subject” 1999p.41-42 (reproduced)
Artlink Vol.17 No.4 Ross Woodrow“Newcastle: Epicentre of Denial” 1997p.78-80(reproduced)
COLLECTION
Cité de Ville, La Rochelle, France, Monash University MADA Collection, Newcastle Region Art Gallery, The University of Newcastle Collection, Newcastle City Council, Private collections in Australia, UK, France, Vietnam and USA.